I was interviewed by NRK klassisk today! About Láhpoluoppal 🙂
I got to perform “Láhpoluoppal” at Tromsø museum yesterday. It was a lot of fun and a fair amount of people! Thank you, Tromsø!
I’m very happy to announce that “Láhpoluoppal” will be available as vinyl soon 🙂 I recorded it with Emil Bekkevold the day before the concert and the vinyl will be available in May.
I’m off to new challenges. I’m working with “Gumpe” written by Jørgen Mortensen at the moment. This is a piece written as a part of my Reinofon-project. I’m also a part of a scientific project called “Art VAPO – True North”. More updates to come!
The year is soon coming to an end, and my projects for 2018 are actually completed. That deserves an update 🙂
The year started with “1663” – a production that premiered March 8th as the very opening of Borealis vinterfestival and Finnmarksløpet 2018.
Photo taken by Eva Igeland
Before my summer holiday I composed “What did you discover” for solo trombone (commissioned by Marius Slåttsveen and supported by The Norwegian composer’s fund), “StURdium” (written to FinnSam) and “Láhpoluoppal”.
In september, I was the artistic leader for Finnmark Slagverkfestival – a festival that I was an initiator for back in 2016. The festival happened thanks to a bunch of amazing people and it’s by the way happening again in 2019 🙂 I premiered with “Beat-Botox” (written by Arnt Håkon Ånesen) and performed “CaDance for two” with Is_beat. I also premiered with “Láhpoluoppal” – a meditative solo concert. “Láhpoluoppal” is the first production coming out of my Lyd-ID-project, and it was great to finally present to it an audience.
Photo by Emil Bekkevold
Poster made by Sayuri Minagawa
Poster made by Maiken Storvann
The following months were dedicated to FinnSam – Finnmark Samtidsensemble. The ensemble is founded by me and had its debut in the Arctic Cathedral, Alta. That happened November 11th and FinnSam premiered with five new pieces for the occasion. A big thank you to FinnSam for performing “StURdium” and Marius Slåttsveen for performing “What did you discover?”. FinnSam also performed pieces written by Arnt Håkon Ånesen, Rakel Nystabakk and Nils Anders Mortensen. Oh, I also performed Rebonds A by Iannis Xenakis 🙂
Poster made by Sayuri Minagawa
Photo by Anja Hætta Bergkvam
It was a lot of fun and a great group of people to work with!
Photo by Maiken Storvann
I have to conclude that 2018 has been a great year. I’m privileged to work with so many talented people, and I’m grateful for all the support from the people around me. Thank you!
2019 is soon happening, and I’m going to work with and perform “Gumpe” by the danish composer, Jørgen Mortensen. 2019 will be a big year for the Reinofon 🙂 I’m also performing “Láhpoluoppal” again, this time in Kirkenes and Tromsø.
I’m ending this post by sharing a link with you (in norwegian only): http://www.ballade.no/sak/kristine-hansen-jakter-pa-urlydene/
More to come!
It’s been a while since my previous post, so here’s an update;
My autumn has been about composing. I’ve been writing music towards March 8th (2018), because I’ve been the director of a production called “1663”. It’s created by me in cooperation with great colleagues. It was the opening-show for the Borealis festival in Alta, and it was a crazy experience. Thank you all!
The stage was by the way designed for the occasion. It’s built out of snow and ice, and it’s been developed in great cooperation with Laila Kolostyák.
I’m at the moment working towards “Finnmark percussion festival”. This is happening in September and I’m finally premiering with “Láhpoluoppal” as a part of this festival. I’m also performing Beat-Botox by Arnt Håkon Ånesen – a solo for snare drum and electronics. The piece is written to the festival and supported by Art Council Norway. Is_beat is also going to perform CaDance for two by Andy Pape 🙂
Alta is the place – you better start noticing it on the map 🙂
I also composed “No kjæm de me’ hornan” commissioned by “Norsk Hornklubb”. It was performed in October 2017, and the sheets are available on their homepage.
More to come!
Ånesen and I have been working together on and off since 2014. He’s written two commissions for me; Sub-Context and Inner timing out. He’s currently working on a third commission, and today we decided to have an online chat about our cooperation and a few other aspects regarding our music 🙂 See the chat below!
As I mentioned in the previous post, I’m in the middle of some fieldwork regarding my project “Lyd-ID”. It’s possible to follow my process on facebook, on snapchat (k89k) and even here!
Click here to read about Lyd-ID. You’ll also find a link to my fieldwork-diary if you go to the bottom of the page. I update the diary during weekends.
You may also click here for a direct link 🙂
More to come – stay tuned!
Oh, it’s June already, and I’m far behind on my homepage. I defiantly have to step up my game! A lot has happened since the last post, so I’ll mention the highlights;
In February I was granted an Artistic Scholarship from Sami Artist Council. This scholarship is directed towards my solo-project called “Lyd-ID”. This is a huge and complex project that I hope to be working with for many years, and the scholarship allows me to develop the project and do a first edition of it! Check out “Lyd-ID” on my homepage 🙂
I’ve also received another commission, this time for solo snaredrum and electronics. This commission is a little bit different than the previous ones. This one is directed towards children and teenagers as a part of a presentation about classical percussion. The commission is going to be written by Arnt Håkon Ånesen (again)!
Other than that, I’ve been doing some smaller concerts. I played with Henning Sommerro and Ensemble Noor in March, and in June I was performing in Tromsø Domkirke with super colleagues. Great fun!
I’m writing this post in Kautokeino – I’m in the middle of some fieldwork for “Lyd-ID”. I’m tenting and recording sounds. In one week my vacation will start, and after that, I’ll be composing and diving into my Reinofon-pieces, as well as preparing for the premiere of Lyd-ID 🙂
I’ll keep you posted – I promise!
#LydID #percussionistinatent #getdirtyfortheart #thesoundofbirdsismynewfetish
Hello again, and sorry for my lack of updates…!
A lot of things has happened since last time. I’ve first of all spent a lot of time building and developing ma “artsy” environment for myself. That hasn’t been easy at all, but I seem to enter 2017 with a finished result!
I’ve also worked for the classical percussion-environment here in Alta, and I’ve done a few local happenings, like “The best percussionist of the year (in Alta)” – a competition for my students, as well as working towards a percussion-party in Alta (April 2017). I’m very happy to see (and hear) that good things are happening.
I’ve been travelling a bit as well, mostly in Finnmark and Troms. I’ve been teaching and playing a lot, mostly with orchestras, and I had an absolutely amazing experience performing “Paulus” by Mendelssohn at Tromsø Kulturhus together with colleagues in Tromsø as well as Arkhangelsk State Chamber Orchestra along with Tromsø- and Stockholm domkor. …just to mention one of the highlights from this autumn … 🙂
Even though I’ve been the worst updater here, I’ve done some small ones on my Facebook-page.
I’m also very happy to tell you that I’ve received another commission, this time supported by The Danish Art Foundation. Jørgen Mortensen has written a piece for me, and it’s already finished…! It’s called “Gumpe” and is inspired by a wolf-joik. I’ve also received the finished results from some other commissions; Arn Håkon Ånesen’s Inner Timing Out (the very first solo ever written for my reinofon), and Alibi, by Ruben Sverre Gjertsen. I’m very happy for my reinofon 🙂
…and just to crown the whole thing; I’ve been working for a new ensemble called “FinnSam” – Finnmark Samtidsensemble, and we just got news that our debut will happen. I’ll create an own page for FinnSam, so keep clicking until the day you’ll find it!
Alright, I’m back!
It’s strange to leave “Et fokus på Snefjord” behind but I’m moving towards a new project. As I shared in a previous post: I received funds from Art council Norway to a project called Lyd-ID. I’m going to do some fieldwork out in nature and connect my own material with traditional music from the specific place that I’m going to travel to.
I have a lot of ideas and I’m spending the autumn to figure out what the project will become 🙂